The Ultimate Crowd Monetizer for Global FECs: Premium Flying Cinema Tour Traditional theatrical business setups are failing to attract modern experiential con...
Traditional theatrical business setups are failing to attract modern experiential consumers who demand deep sensory immersion. The Arc Display Flying Cinema Experience directly resolves this pain point by launching a heavy-duty commercial flying cinema tour system engineered to capture premium foot traffic. Occupying a highly balanced 54m² footprints, this turnkey attraction brings extreme scalability to Family Entertainment Centers (FECs), amusement parks, and large-scale tourist landmarks. By combining optimized spatial projection geometry with synchronized mechanical feedback, it delivers a massive, uncompromised ticket-selling infrastructure. Watch the comprehensive technical layout of our landmark fly cinema setup in the operational presentation below:
The primary technological barrier that distinguishes our system from generic theaters is its integration of proprietary naked-eye 3D engineering. Operators launching our premium flying cinema tour attraction no longer have to manage the persistent overhead, operational friction, or sanitary concerns associated with wearable 3D glasses or bulky VR headsets. The continuous geometric arc profile matches the human visual field perfectly, enveloping the player’s peripheral vision to create realistic spatial suspension. This advanced structural design establishes an elite cinema fly environment that standalone home hardware simply cannot replicate.
For international entertainment venue developers, optimal space utilization directly dictates the venue’s ultimate return on investment. Our commercial-grade flying cinema tour platform fits perfectly into a standardized 54m² physical footprint (W:6000 * L:9000 * H:3000 mm) while remaining highly scalable. The internal structural engineering can be fully customized to accommodate anywhere from 10 to 40 players per cycle. This structural elasticity enables global procurement managers to tailor the configuration precisely to specific building heights, structural pillars, or venue flow designs, maximizing throughput within a minimal footprint.
To bridge the gap between high-fidelity visual rendering and physical kinetic memory, this specialized fly cinema framework features an integrated 4-effect environmental matrix. Every effect deploys via millisecond industrial PLC commands, creating unparalleled tactical layers that boost player repeat-visit metrics:
Supported by an exquisite digital software eco-catalog pre-loaded with 11 curated commercial ride titles, the system functions as an enduring, future-proof cash-flow engine. The separation of heavy-duty industrial hardware reliability from digital content assets guarantees that your initial upfront capital investment continues to drive massive foot traffic and repeat ticket sales across the lifetime of the attraction.
| Product Model Name | Arc Display Flying Cinema Experience |
| Player Capacity | 10 - 40 Players (Tailored to Site Boundary) |
| Visual Infrastructure | Naked-Eye 3D Curved Arc Display Array |
| Included Game Titles | 11 High-Retention Commercial Licenses |
| Physical Dimensions | W:6000 * L:9000 * H:3000 mm |
| Spatial Footprint Area | 54 m² Base Footprint Matrix |
| Voltage Input | 220V Commercial-Grade Electrical System |
| Color System Layout | Blue & White & Black High-End Coating |
Most indoor theme park plans are drawn for a rectangle. Real mall units are not rectangles. They have an angled corner where the service corridor cuts through, a curved shopfront where the facade bows, a column grid that lands in the middle of where you wanted the biggest attraction. This article works through one of […]
One of the clearest virtual reality examples at commercial scale is now live in Guangzhou, China. In Zengcheng district, LEKE VR delivered an ~1,000 m² venue running 8 attractions plus a free-roam X-Space VR arena—a mix of MR karting, multiplayer battle, racing, cinema pods, and a 6-seat motion theatre—that opened on August 22. This article […]
VR Entertainment Business Case Study: A LEKE VR Store Hit $13,368 in a Single Day On May 30, 2026, LEKE VR opened its doors on the third floor of Bubugao Meixi Xintiandi in Changsha, Hunan Province. Through its early operations, the store has averaged approximately $8,000 in daily revenue — and hit a single-day peak […]
Guangzhou Leke VR Technology Co., Ltd. — backed by 12 years of R&D and production, we manufacture commercial VR simulators in-house and deliver turnkey VR park solutions. Every machine is assembled, tested and quality-audited in our ISO-certified factory before shipment.
A complete, revenue-balanced four-attraction package engineered for shopping-mall FECs and standalone VR arcades. Mixes a group shooter, a premium cinema pod, a motion chair, and an AR gallery to capture both group bookings and walk-in family traffic.
| Equipment Configuration | Ticket Price | Mon (x4) 40/day | Tue (x4) 40/day | Wed (x4) 40/day | Thu (x4) 40/day | Fri (x4) 80/day | Sat (x4) 150/day | Sun (x4) 150/day | Monthly Turnover | Salaries (3 staff) | Rent | Misc. Expenses | Monthly Profit |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Space Shuttle 2.0 + Flying Cinema 360° + Corps Pro + AR Sniper Elite | €10.00 | 160 | 160 | 160 | 160 | 320 | 600 | 600 | €21,600 | €6,000 | €6,500 | €2,500 | €6,600 |
| Space Shuttle 2.0 + Flying Cinema 360° + Corps Pro + AR Sniper Elite | €15.00 | 160 | 160 | 160 | 160 | 320 | 600 | 600 | €32,400 | €6,000 | €6,500 | €2,500 | €17,400 |
Ticket volume basis: Mon 40/day, Tue 40/day, Wed 40/day, Thu 40/day, Fri 80/day, Sat 150/day, Sun 150/day, over a 4-week month (2160 tickets/month). Fixed costs: 3 employees €6,000 + rent €6,500 + miscellaneous €2,500 = €15,000 / month. Profit = Turnover − Fixed Costs.
| Monthly Metric | @ €10.00 / ticket | @ €15.00 / ticket |
|---|---|---|
| Monthly turnover | $23,760 | $35,640 |
| Fixed costs (staff + rent + misc.) | $16,500 | $16,500 |
| Monthly profit | $7,260 | $19,140 |
USD figures are a reference conversion at an assumed EUR/USD rate of 1.1 for illustration only.
This is a modeling example based on a typical European urban venue, in EUR with a USD reference. Actual results vary by location, foot traffic, staffing costs, rent, and local pricing. Use it as a starting point for your own ROI projection — never as a guarantee. Request a custom projection for your venue's numbers.
Most indoor theme park plans are drawn for a rectangle. Real mall units are not rectangles. They have an angled corner where the service corridor cuts through, a curved shopfront where the facade bows, a column grid that lands in the middle of where you wanted the biggest attraction.
This article works through one of those units. It is a 240 m² floor in Finland, and the plan below was drawn around its actual geometry rather than around an ideal one. It is a design proposal — nothing has been built — so what follows is the spatial logic, the seven attractions specified for it, and the reasoning that put each one where it is.
Before any equipment is chosen, an indoor theme park has to answer to the shape of the unit. For an indoor entertainment venue, the floor is the first specification. This one measures 19,105 mm across and 17,700 mm deep — but almost nothing about it is square.
Two features dominate. On the left, the wall cuts in at an angle, leaving a wedge of floor that no standard attraction can claim. On the lower right, the shopfront bows outward in a curve, which is good for visibility from the mall and awkward for anything that needs a straight back wall.
A rectangle drawn to the same 240 m² would be easier. It would also waste the two things this unit has going for it: an angled corner that is genuinely useful for a large-format attraction, and a curved frontage that gives passing mall traffic a long view into the room.
The first question is not “what fits” but “what should face where”. Get the orientation wrong and you spend the rest of the project compensating with signage and staff direction. Get it right and the room explains itself.
Seven attractions in one room sounds crowded until you notice that they serve four quite different guests. This is the part of family entertainment center equipment planning that a product catalogue cannot help with. The plan separates them into two halves, and the split is not arbitrary — it follows how long a guest stays and whether they came alone, as a pair, or as a group.
The reasoning behind the split is worth stating plainly, because it is the decision most single-operator layouts get wrong. A group that has just finished a 10–20 person tunnel ride does not want to queue again immediately. A guest waiting alone for a self-service station does not want to stand next to a 20-person group assembling. Putting the long-session formats together on one side keeps both problems on the same side of the room.
The plan also protects a single circulation route. One path runs the length of the unit, and every attraction opens onto it. No guest has to cross a play area to reach another machine, and a staff member standing mid-floor can see the whole room.
An indoor theme park is not a room full of machines. It is a route with machines on it, and the route is what the operator manages.
Each position in the plan was chosen for a reason that can be checked. An indoor theme park is specified position by position: the room decides the order, the order decides which mall entertainment equipment is viable, and only then does the equipment list become a vr entertainment center setup rather than a shopping list. Below is the equipment as specified and the job each one does.
This is the anchor, and it goes against the angled wall for a simple reason: it is the one attraction whose footprint is big enough that a conventional rectangular unit could not hold it comfortably. It takes a standard 6,000 × 9,000 mm installation area — exactly 54 m² — and its continuous 160°–240° curved screen removes the peripheral blind spots that make guests turn their heads away from the show. Because it is a ride rather than a game, the operator’s throughput thinking changes: a full load of 10–20 guests enters together, sits together and leaves together, which makes it the single biggest hourly-capacity asset in the room.
Full specification: 5D 7D Interactive Cinema / Immersive Tunnel Ride System
Placed beside the tunnel ride, and the pairing is deliberate. It is the natural next stop for a group that has just come off the ride: four people can step straight onto it without the group splitting up. It carries no headsets and no wearables at all — aim data travels from the gun to the host unit through an integrated sensor — which removes the headset fitting and cleaning cycle entirely and brings player changeover under ten seconds. For a venue where one staff member is covering the floor, that is the difference between a queue that moves and a queue that forms.
Full specification: AR Shooting Arcade Game Machine — 4-Player
Set in the upper right, where it reads as a six-seat group attraction from across the room — which is the point. Seats arranged in two rows of three signal shared capacity instantly to anyone looking in: a family or a group of friends sees six seats and understands they can ride together rather than take turns. It carries a 720° 2K panoramic display with headset and 3D surround audio, and a library of 30+ titles that spans scenic, adventure and thriller content, so the same machine serves a younger daytime crowd and an older evening one without a hardware change.
Full specification: 9D VR Cinema Simulator — 6-Seat
First in the lower-right run, and placed for what it does when idle as much as when it is running. Its enclosed shell, curved LED accents and transparent canopy mean the rotation is visible from outside — a dual-seat cockpit turning through 360° in full view of the corridor is the strongest passive conversion device on the floor. Two guests at a time, short session length, no skill requirement: it takes first-time visitors who have never worn a headset and gives them something that reads as impressive before they have decided to spend anything.
Full specification: VR Chair 360 — 2-Player
Next along the run, and it covers a guest the others do not. Every attraction so far rewards a group that is willing to compete or to perform. Space Shuttle 2.0 does neither: two guests sit side by side in an enclosed cockpit, and a multi-dimensional kinetic base delivers synchronised pitch, bank and vertical drop against a library of 80+ titles spanning coasters, space and undersea content. It is the machine a couple uses, or that a parent takes a younger child onto, and that matters commercially because it is often the reason a mixed-age group stays on the floor instead of splitting up.
Full specification: Space Shuttle 2.0 Virtual Reality Cinema
Last in the run, and deliberately the smallest. It is the only attraction on the floor that trades without a staff member attached: a guest selects a title from the built-in library, pays by card, coin or QR, and plays. An automated headset lift handles the equipment between sessions. Placed at the end of the sequence, it absorbs the guest who has finished everything else, the solo visitor who does not want to join a group, and the walk-up who arrives while the larger machines are full. Its footprint is the smallest on the floor, which makes it the cheapest insurance against a lost ticket.
Full specification: Self-Service VR Stand Station
That accounts for six positions. The seventh unit in the client’s specification is a second machine of one of these formats, and its position in the plan depends on which one it is — a second racing-format seat pairs naturally with the lower-right run, while a second self-service station is better placed at the opposite end of the circulation path so both ends of the room hold a walk-up option.
| Attraction | Guests | Footprint | Session pattern |
|---|---|---|---|
| Immersive Tunnel Ride | 10–20 | 54 m² | Fixed show, full load in and out together |
| AR Shooting Arcade | 4 | 5.89 m² | Fast rotation, no headsets, sub-10-second changeover |
| 9D VR Cinema — 6-Seat | 6 | — | Group show, broad age range |
| VR Chair 360 (2-Player) | 2 | 8.64 m² | Short, no skill required, high visibility |
| Space Shuttle 2.0 | 2 | 5.59 m² | Longest single session, couples and families |
| Self-Service Stand Station | 1 | 2.46 m² | Unattended, absorbs solo and overflow guests |
A design proposal is a set of assumptions. These are the ones that decide whether an indoor theme park survives contact with the building, and each is worth settling before anything is ordered.
The order matters more than the answers. Clearance, then loading, then routes, then power, then staffing. Each one can remove a position from the plan, and settling them in this sequence means you redraw once instead of four times.
The size band an indoor theme park sits in decides what it can be. Below roughly 150 m², an indoor theme park cannot carry both a large-format ride and a group cinema — you pick one and build the rest of the floor around it. Above 400 m², the problem changes from fitting attractions to filling them, and the design question becomes about queue management and secondary spend rather than layout.
| Floor area | What fits | What it cannot hold |
|---|---|---|
| Under 150 m² | Seated and quick-rotation formats | A 54 m² ride and a group cinema together |
| 150 – 300 m² | Both, plus quick-rotation formats — this proposal | Nothing essential; density is the binding constraint |
| Over 400 m² | Multiple anchors, dedicated zones, secondary spend | Nothing — the risk shifts to under-use |
At 240 m² this unit sits in the band where an indoor theme park can be genuinely mixed without becoming thin. It is large enough for a 54 m² anchor ride, a six-seat group cinema and four smaller formats, and small enough that one person can see the whole room from a single position. That combination is the one most first-time operators underestimate: a floor that is easy to supervise is worth more than a floor that holds one more machine.
It also happens to match a unit size that European shopping centres actually lease for an indoor theme park. Vertical retail formats across Northern Europe tend to offer floorplates in the 200–300 m² range rather than the large-footprint boxes common in North America, which is one reason this plan was drawn to fit a mid-size mall unit rather than a purpose-built entertainment box.
A plan for an indoor theme park on its own commits nobody, which is why the immersive vr experience it describes has to be checkable before any money moves. What makes it useful is that it is produced against the operator’s own dimensions, and that the same team stays with the project from the drawing through to the machines running on the floor.
In this case the sequence is straightforward. The unit dimensions and columns came first, then the CAD plan and the 3D visualization above, then the equipment selection against the zones the plan created. If the project proceeds, the same drawings become the basis for manufacture, shipping documentation, and the remote installation guidance that gets the machines commissioned on site.
Two things are worth knowing if you are evaluating suppliers for an indoor theme park on the same basis. The first is that LEKE VR manufactures the equipment and operates its own venues, so the after-sales side comes from the builder rather than from a third party. The second is that the design work is not a paid study: a CAD plan and 3D visualization are produced for a project as standard, and the drawing stays with the operator whether or not the order follows.
Operators comparing suppliers are usually told to compare equipment when they plan an indoor theme park. The more useful comparison is whether the supplier will draw against your actual floor — including the awkward corner and the curved wall — before asking you to commit to anything.
Give us the floor dimensions, the column positions, the clear ceiling height and where the supply enters. We return a CAD plan and a 3D visualization for your indoor theme park, with a machine list and connected load per unit — and the drawing stays yours whether or not you proceed.
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One of the clearest virtual reality examples at commercial scale is now live in Guangzhou, China. In Zengcheng district, LEKE VR delivered an ~1,000 m² venue running 8 attractions plus a free-roam X-Space VR arena—a mix of MR karting, multiplayer battle, racing, cinema pods, and a 6-seat motion theatre—that opened on August 22. This article walks through the venue, the exact equipment lineup with real product photos, the floor plan, and opening-day footage, so operators planning a large vr project can see precisely what one manufacturer can deliver.
The Guangzhou Zengcheng venue is a full-scale vr entertainment venue rather than a kiosk or single-simulator setup. It combines passive cinema, active multiplayer, racing, and free-roam formats in one footprint—so every demand layer (families, friend groups, competitive players) is covered on the same floor. The core operating data below is presented as a professional reference for operators evaluating a large vr project:
Each of these virtual reality examples targets a different revenue layer, from walk-in family volume to high-ticket group battles and competitive racing. The X-Space VR Arena anchors the space as a free-roam multiplayer system (1–20+ players, untethered PICO 4UE headsets, millimeter-level positioning), while the eight attractions below fill the rest of the floor. Combined, they form one of the most complete commercial vr arcade configurations a single supplier can build. Click any unit for full specifications.
All product photos are official LEKE VR media from the manufacturer’s product pages. Capacities and footprints shown are reference values — final specs per product datasheet; the arena footprint is configured to the venue during the free CAD review.
The Zengcheng project shipped with a complete design package: construction drawings, layout scheme, and venue design delivered by LEKE VR’s engineering team. The zoning separates quiet cinema from loud battle zones, keeps the arena open for movement, and puts high-draw racing near the entrance so queues become spectacles:
Every LEKE VR venue ships with a free CAD review of the operator’s space before production — so whether you plan yourself or take our full design package, clearances, power, and guest flow are verified before a single unit is built. Request a floor-plan review →
The best virtual reality examples are the ones you can watch running with real customers. Below are real videos and photos from the Guangzhou Zengcheng venue’s August 22 launch — the same equipment mix, the same floor plan, in live operation. For operators planning a vr project of any size, this is the closest thing to a site visit before you invest.
A venue this size usually means coordinating multiple suppliers — one for cinema, one for racing, one for the arena, plus a designer and an installer. The Guangzhou Zengcheng vr project shows the alternative: a single manufacturer accountable for the whole chain.
What the delivery chain covers:
The Guangzhou Zengcheng venue is approximately 1,000 m² and runs 8 attractions plus a free-roam X-Space VR arena — 9 experiences in total covering cinema, multiplayer, racing, AR shooting, and free-roam formats. It opened on August 22.
Yes. This venue is proof: LEKE VR delivered the layout drawings, manufactured all units, and coordinated logistics, installation, and training through one accountable team. You avoid the multi-vendor coordination risk that usually sinks large vr projects.
Yes. Projects include construction drawings, layout schemes, and venue design, plus a free CAD review of your own space. The plan is validated for clearances, power, ventilation, and guest flow before manufacturing begins.
The mix covers the four demand layers that make a vr arcade business resilient: family walk-in volume (360° chair, cinema pods), group battles (AR sniper, arena), competitive replay (MR kart, VR racing), and high-capacity group cinema (Bermuda, 6-seat). The exact lineup is tailored to your space and audience.
Timelines depend on the unit count, destination, and shipping route. After layout confirmation, manufacturing typically runs 25–60 days, plus sea freight (varies by region) and a short on-site commissioning window. Ask for a timeline for your city →
The Guangzhou Zengcheng venue is a working, large-scale example of what virtual reality examples look like when one manufacturer owns the whole vr project — from floor plan to opening day. Whether you are planning 100 m² or 1,000 m², LEKE VR can design, build, and deliver the same accountable package for your market. Get a custom 1,000 m² (or any-size) venue plan →
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On May 30, 2026, LEKE VR opened its doors on the third floor of Bubugao Meixi Xintiandi in Changsha, Hunan Province. Through its early operations, the store has averaged approximately $8,000 in daily revenue — and hit a single-day peak of $13,368 on International Children’s Day. This is a real VR entertainment business running LEKE VR’s full product matrix and turnkey brand solution inside a busy shopping mall. This article unpacks the products, the service chain, the revenue model, and the ROI reference behind the numbers, so you can evaluate whether a VR entertainment business powered by LEKE VR fits your next commercial project — as a VR arcade, a VR entertainment center, or a mixed-use Urban Entertainment Hub.
The table below summarizes the verified revenue performance from the Changsha store’s early operations, expressed on a daily-average basis in USD. It reveals the revenue rhythm of a shopping-mall VR entertainment business: the opening surge, the holiday spike, the weekday baseline, and the weekend recovery — the same rhythm any vr arcade business plan needs to model before committing a dollar.
Three clear patterns emerge. First: holiday surge capacity—on International Children’s Day the store recorded a single-day peak of $13,368, proving the product matrix can absorb high-density foot traffic and convert it at scale. Second: weekend reliability—every Friday-through-Saturday consistently outperforms weekdays, making weekends the dependable backbone of monthly turnover. Third: weekday stability—a predictable baseline keeps the store running cost-efficiently between peaks. These numbers offer a transparent view into the revenue rhythm of a real vr arcade business in action—and a realistic starting point for your own VR entertainment business model.
The customer ranking tells a clear product story for anyone planning a VR entertainment center. The top four attractions—Bermuda Cinema (immersive theater), X-Space Real-Person CS (large-scale free-roam arena), MR Go-Kart (mixed-reality racing), and Standing Platform (solo VR bays)—together demonstrate that a successful virtual reality entertainment venue needs both social-group attractions and solo-play stations. The large-space arena and MR karting products, in particular, drive the highest per-session ticket values and are the primary revenue engines behind the weekend and holiday surges shown in the data above.
The Changsha store is powered by LEKE VR’s full commercial product matrix—a curated lineup of motion simulation, immersive VR, and mixed-reality attractions designed to capture every age group and play style that walks through a shopping-mall entrance. Here is the equipment that turned third-floor retail space into a VR theme park and a profitable location based entertainment hub capable of processing thousands of guests in a single weekend.
The product matrix breaks down into three complementary tiers, each contributing to a different layer of the daily revenue structure:
The revenue numbers from Changsha did not happen because the right equipment happened to be in the right mall. They happened because LEKE VR executed a full-chain VR entertainment business delivery—from the first site consultation to daily after-sales support. What follows is the six-step turnkey service chain that turns an empty retail unit into a revenue-generating VR destination—the backbone of every VR arcade business plan we build with our partners worldwide.
The Six-Step LEKE VR Turnkey Delivery Chain:
There are three ways to put VR equipment into a retail space. Only one comes with a verified operational track record:
The DIY path looks cheaper on a spreadsheet—until a critical piece of equipment goes down with no single accountable vendor. The franchise path looks simpler—until the monthly royalty statement arrives. The LEKE VR path is the only model backed by a real store’s operational data, with one manufacturer accountable for every piece of hardware, every content update, and every after-sales response.
To help you translate the Changsha store’s revenue rhythm into your own projection, the model below is a transparent VR entertainment business ROI reference built around a proven four-attraction bundle. It shows monthly turnover, fixed costs, and net profit at two ticket-price points—the same logic any VR arcade business plan should apply before committing capital.
B2B ROI Reference Model
Sample Monthly Revenue Model — 4-Attraction Configuration
A curated four-attraction lineup: 360° VR Chair · Space Shuttle 2.0 · Corps Pro · AR Sniper. Daily ticket assumptions: Mon–Thu 40, Fri 80, Sat–Sun 150 (4-week month).
Fixed costs: 3 employees €6,000 + rent €6,500 + miscellaneous €2,500 = €15,000 / month. At €10 tickets, net margin is ≈30.6%; at €15, it rises to ≈53.7%.
Modeling example based on a typical European urban venue. Actual results vary by location, foot traffic, and local pricing. Use this as a starting point for your own VR entertainment business ROI analysis — never as a guarantee. Request a custom projection →
Based on the Changsha store’s real operating data, the top four attractions by play count were: Bermuda Cinema (immersive theater — high-throughput, zero-skill-barrier, ideal for walk-in families), X-Space Real-Person CS (large-scale free-roam arena — highest per-session ticket value and longest dwell time, dominant driver of weekend revenue), MR Go-Kart (mixed-reality racing — broad age appeal, strong holiday surge performance), and Standing Platform (solo VR bays — volume filler for quick sessions). A balanced equipment mix covering social-group attractions and solo-play stations consistently outperforms a single-category lineup — a key lesson for anyone modeling a VR entertainment business or VR entertainment center. Explore the X-Space free-roam arena →
Equipment selection is not a one-size-fits-all decision—it is driven by your venue’s specific parameters. During the site assessment phase, our team evaluates your floor-plan dimensions, ceiling height, power infrastructure, target demographic profile, local competitive landscape, and projected foot-traffic patterns. From there, we recommend a customized equipment matrix: a large-space anchor like X-Space VR Arena for group and social traffic, MR Go-Kart or 3DOF/6DOF racing simulators for competitive-gaming zones, and immersive theater or solo-play bays for volume throughput. Every VR arcade business proposal is tailored to your space, audience, and local economics—not a pre-assembled catalog. Request a customized venue assessment →
LEKE VR is a full-chain VR entertainment business partner—not a drop-ship vendor. Our six-step delivery covers: customized site assessment and equipment planning, 3D/C4D spatial design, factory manufacturing with pre-shipment testing, global logistics coordination, remote installation assistance with real-time engineer support, and ongoing staff training with a launch marketing kit. Post-launch, we provide quarterly content updates, remote equipment diagnostics, and a dedicated after-sales engineer team backed by a 48-hour parts-shipment SLA. No franchise fees. No revenue sharing. One manufacturer accountable for the entire store lifecycle. Inquire about turnkey deployment →
A location-based VR business lives or dies on two variables: whether the equipment can sustain commercial-duty cycles, and whether the store design converts mall foot traffic into paid sessions. The Changsha store—averaging approximately $8,000 in daily revenue with a single-day peak of $13,368 through early operations, and a product matrix spanning large-space arenas, mixed-reality racing, immersive theater, and solo-play stations—validated both. If you are evaluating a VR entertainment business for a shopping mall, a commercial complex, or an independent FEC, LEKE VR’s turnkey solution delivers the equipment, the design, the remote installation support, the training, and the ongoing after-sales care. One accountable partner. Zero franchise fees. A store model already proven in the real world. Request a custom projection for your venue →
A complete ecosystem for your VR business, manufactured in our certified factory.
Share your floor plan dimensions, target country and budget. Our solutions team returns a tailored equipment mix, 3D venue layout and revenue projection. No cost. No commitment.
X-Space VR Arena
MR Go-Kart
Space Shuttle 2.0
Self-Service VR Stand
VR Racing
360° VR Chair
AR Sniper
Bermuda Naked-Eye 3D
9D VR Cinema 6-Seat
